Glossary

Every term the lectures teach, with where each is explained.

aliasing
A frequency above the Nyquist frequency appearing, once sampled, as a lower frequency (its alias) that cannot afterwards be told apart from a real one.
amplitude
The height of a wave from its middle line to a peak. For a sound, a bigger amplitude is louder.
analogue signal
A signal that varies smoothly and continuously, as a likeness of the quantity it represents.
analogue-to-digital converter
A circuit that turns each sample's voltage into a binary number.
anti-aliasing filter
A low-pass filter placed before sampling that removes everything above the Nyquist frequency (in practice, cuts it down until any alias is too quiet to matter).
digital signal
A signal stored as a list of numbers, which can be copied, stored and sent without change.
digital-to-analogue converter
A circuit that turns binary numbers back into voltages.
frequency
The number of complete cycles of a wave each second, measured in hertz (Hz).
image
A copy of a sampled signal's spectrum around f_s, 2f_s and so on; a DAC's staircase output contains them.
Nyquist frequency
Half the sampling rate, f_s/2. Only frequencies below it can be captured; a tone exactly at it can vanish.
oversampling
Sampling much faster than the sampling theorem needs, so a gentle analogue filter is enough, then filtering digitally and keeping fewer samples.
period
The time a wave takes to go through one complete cycle, in seconds; the period T and frequency f are linked by f = 1/T.
phase
Where in its cycle a wave is at time zero, in degrees or radians. Phase decides whether added signals reinforce or cancel.
pulse code modulation
Sending a signal as a stream of binary numbers, one for each sample; the transmitter filters, samples, converts each sample to a number and sends its bits in series.
quantisation
Rounding each sample to one of a fixed set of levels; the second step of turning a signal into numbers, after sampling.
reconstruction filter
A low-pass filter after a DAC that removes the images above the Nyquist frequency, and corrects the slight droop a staircase DAC causes, leaving the original band-limited signal.
sampling
Measuring a signal at regular moments in time and keeping only those values, the samples.
sampling period
The time between samples, T_s = 1/f_s.
sampling rate
The number of samples taken each second, f_s, in hertz. A CD uses 44.1 kHz.
sampling theorem
To capture every frequency up to f_max, the sampling rate must be more than twice it: f_s > 2f_max.
signal
A quantity that changes over time and carries information; in audio, usually a voltage that follows a pressure wave.
sinc function
sinc(x) = sin(πx)/(πx), with sinc(0) = 1: equal to 1 at x = 0 and 0 at every other integer, the bump each sample contributes in exact reconstruction.
transition band
The range of frequencies over which a real filter goes from passing a signal to blocking it.
Whittaker–Shannon interpolation formula
x(t) = Σ x[n] sinc((t − nT_s)/T_s): the sum of every sample's sinc bump, which rebuilds a band-limited signal exactly from its samples.